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Authentic Classical Concerts Wolfgang Amadeus Mozart (1756-1791): Antonín Dvorák (1841-1904): This release is recorded, produced and created CD Audio, ca. 60 minutes, DDD |
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The characteristic that most distinguishes the great conductors of our time is the courage to identify with the work: the adventure of comprehending and interpreting. The personal perception and expression of the composition, the confrontation with the composers markings and the exploitation of the orchestra's character and virtuosity, all lead to a vital diversity in performances of a work. In our series "Art of Conduction" we present you conductors to whom a charm is attached, a magic personality that enables them to breathe new life into the works of the Great Masters. Although five years lie between the recordings of the two works and place, orchestra and composer can not be placed in the same context, the signature, the flowing expressive tension, the accurate dynamics that Pavel Przytocki demands from the work and from the orchestra are clearly recognizable. In our opinion, he counts as one of the most innovative conductors of our time. Josef-Stefan Kindler, Publisher |
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Pawel Przytocki is one of the most talented and exciting young Polish conductors. He studied at the Academy of Music in Kraków, where he graduated with honors from the Faculty of Conducting (1985) under Professor Jerzy Katlewicz. He perfected his skills at the Bartok International Seminar with Peter Eötvös and with the Master Conducting Course at the Oregon Bach Festival in Eugene with Helmuth Rilling. From 1983 to 1987, Przytocki collaborated with the Krakow Philharmonic and, since 1987, with the Grand Opera Theatre in Lodz. From 1988 to 1991, he worked as the Conductor and Music Director of the Baltic Philharmonic Orchestra in Gdansk. In May 1990, he made his debut with the National Philharmonic in Warsaw. Since 1995, he has worked with the Orchestra Sinfonia Varsovia and, from 1995 to 1997, was Music Director of the Artur Rubinstein Philharmonic Orchestra in Lódz. Przytocki is a regular guest conductor with orchestras throughout Poland as well as with the Budapest Concert Orchestra, Orchestra Sinfonica de Xalapa in Mexico, Real Filharmonia de Galicia in Spain, Capella Istropolitana in Bratislava, Philharmonisches Staatsorchester Halle, Neue Philharmonie Westfalen, Bilkent Symphony Orchestra Ankara, Everett Symphony Orchestra in the United States and the Janacek Philharmonic Orchestra Ostrava. His guest performances and concert tours have led him throughout Europe. Pawel Przytocki has participated in numerous international music festivals, including the Athens Festival, 1987, the Musikfest Stuttgart, 1988, the Flanders Festival, 1989, La Chaise-Dieu Festival, 1996, the Kissinger Sommer, 1998, the Bratislava Music Festival, 1999, the Prague Spring, 2001 and the Wratislavia Cantans, 2005. Since 2005, Przytocki has been the conductor for the National Opera in Warsaw. During the 2005/2006 and the 2006/2007 season at the National Opera, he conducted Aram Khachaturian's ballet, Spartacus (premiere -November 2005), Tchaikovsky's opera, "Oniegin", Verdi's, "La Traviata", Puccini's "La Boheme" and the ballet, "Oniegin" with choreography by John Cranko (premiere- April 2007). He has made archival recordings for Polish Radio and CDs for DUX, Aurophon and Point Classic. His recording of Rachmaninoff`s First Symphony, in 1991, has been recognized by the American "La Folia Music Review Magazine" as very special.The magazine labeled it one of the world`s five best recordings and compared it favorably to those of Carlos Kleiber and Svjatoslav Richter. |
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Creations & Tracklist
2. Adagio - Allegro spiritoso A concert with the Schlesische Kammerphilharmonie Kattowitz
6. Moderato A concert with the Beethoven Akademie Orchestra Krakau
Conductor: Pawel Przytocki
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The CD Series Authentic Classical Concerts Publishing culture in its authentic form entails for us capturing and recording for posterity outstanding performances and concerts. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value, recorded in direct 2-Track Stereo digital. Classical music lives! Lives through the interpretation, the tension built up during the performance, and through the combination of work, space, artist and audience. We accept the challenge and record the concerts directly in digital stereo and thus become a part of the performance itself, capturing, in sound and pictures, the impressions, the suspense that we enjoy during a concert - so that we may impart to you as authentic an experience as possible. Flourishing culture in living monuments, enthralling the audience and last but not least also you the listener are the values we endeavor to document in this series. Andreas Otto Grimminger & Josef-Stefan Kindler, K&K Verlagsanstalt |